Cult filmmaker Hisayasu Sato achieved a bizarre sort of success with his 1990 bestiality/horror/sex film Uma To Onna To Inu, leading him to return to the same tainted well with this warped look at a woman who lives in the middle of nowhere with a horse for a lover. The horse is also her best ...
“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, ...